Recently in the final check out of a circle conversation, I was framed as having been ‘…in the background’. The others in the circle were each thanked by name for offering such insight in the conversations…
What’s the big fuss about, you might ask? Remember, Power in Making Tea…? Its tricky business being in the space of holding all that goes on in the foreground, and that those of us ‘back stage’ could be deemed less important, or even immaterial. Certainly, we’re less visible – and maybe that’s where the tension lies. Our mastery is simply unseen – and therefore often, misunderstood.
Remembering my theatre days with the family - my Dad, Auntie Biddy, Uncle Keith, Grandpa, my sister Ginia and brother Mark, were all on stage – with all but us children taking the leading roles. Mum was playing the piano in the ‘pit’, with the rest of the orchestra and Grandma was the Director. But this onstage role was not my preferred option, even though from the age of three, I with Mark and Ginia were Whitby’s version of the Von Trapp Family Singers…and we were good!
So slowly I retreated into the wings and hosted the props department, assisting the actors entering stage left of stage right with ‘things’ – be it a glass, a dagger or anything else that animated the play appropriately. So, in reality, I was more comfortable in the background – and in fact I placed myself well, to be of best service.
Yet, crucial to the health of the theatre company – and the power of the performance – was that all roles were seen as vital for the show to go on. Even the back stage manager was heartily pushed on stage on final performance night to receive his just deserved applause. It was as if this witnessing allowed us again and again to take our places of power to enable the whole performance to unfold – and most importantly, for the stage actors to give of their best.
It is therefore heartening to honour the gifts of one another too – and perhaps the edge, is being able to see all of them, including the ones less visible.
I too believe that all these aspects found in a theatre company also reside in each of us – not just as we form different constellations. So it is important that we recognise our own field nature – sometimes without the need for recognition or applause – and simply know where our power-preference and presence exists. Sometime, though it is not always easy to do…!
So I am grateful for the edge that I understood in the recent call…and the gift of insight offered – now, centre stage…!
Comment
Sarah....it isn't often that I come here...but, your email contained so much drawing power that I relinquished...stayed away from the other work calling me...and I read your words...here and on the "Burning" piece. There is so much here about learning..about understanding of self..about proper place..and about living and working in soul alignment. I just wanted to say that I see the beautiful you in these words...and I honor that.
Susan
Beautiful, Sarah - this is essence to the art.
The way we place ourselves in a place of service and the (not) need for recognition speaks to me as I see myself serving when I invite the backstage to stage. Your sharing reminded me that a coupe of weeks ago I was writing a person I did not know personally recognising his very inspiring work through books he wrote - he is an educator, and this is a bit of it:
Dear XX,
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